Saucon Valley-Grace Course

Zig-Zag Opening Hole Par 5

This was the second course built at Saucon, just after World War II, when it was decided that eighteen holes were not enough for the growing membership.  William Gordon worked for a number of eminent architects and had a hand in Seminole, Maidstone, and Garden City Golf Club.  This was a family affair, he did the course with his son David. The course is named for Eugene Gifford Grace who found the club and was a very strong influence in the development of Saucon Valley for over four decades.

Number 10 Par 5

The course was laid out around the perimeter of the Old Course but it does not share much of the same topographical character.   To me, it is a bit of Florida layout with trees.  The basic topography is flat as a pancake but the Gordons did some real creative work with the green areas and it is anything but boring-a very nice walk indeed.  Overall conditioning of the course is excellent, bent fairways and who knows what greens.  As of 2010, the greens are worn out and in need of redoing, but a full renovation of this 18 is due when they finish the work on the Weyhill Course in the spring of 2011.

Challenging finishing Par 4

The course is plenty of challenge from the White tees at 6302 but it is probably playable from the Blues as well.  The general nature of the course is that it is expansive to the eye but the real playing areas are much more confined.  You have to be careful off the tee or you will end up with lots of fairways missed two steps off the cut with some difficult shots from there.  Honestly this course is a pleasure, you get challenged without getting run over and good play is rewarded.  Enjoy the walk.

(All photos from sauconvalleycc.org website)

Bethlehem, Pennsylvania

Architect: William and David Gordon (1958)

Tee                  Par          Rating        Slope        Yardage

Blue                 72            72.4            136            6684

White               72            70.8            133            6302

(Click to see complete Saucon Valley Grace Course hole-by-hole descriptions)

A Tradition Like No Other

The Havemeyer Cup (John Mummert/USGA)

In the world of competitive sport there are very few things that have not changed precipitously over the last 100 years, but the U. S. Amateur Championship is one of them.  It is played with the same traditions, rules, and formats that governed it back at the turn of the last century when it was first recognized as one of the most coveted prizes in the world of men’s golf. Traditionally it is 36 holes of stroke play qualifying to identify the top 64 amateurs in the world followed by a grueling match play format with six matches over five days ending with a 36 hole marathon final match to determine the finest amateur in the world.   There was a brief spell from 1965 to 1972 when the U.S. Amateur was entirely a stroke play event, but fortunately the U.S.G.A. came to it’s senses and went back to the traditional format.

What intrigues most of us about this tournament is that they are playing a format that is familiar to all of us-it is the same format most of us play every Saturday with our regular group-mano-a-mano match play.  In some regards this is more forgiving than medal play-a blow up hole costs you only one hole, not the entire round.  But if we consider that the U.S.G.A. hosts this event on the most difficult and revered courses in the land and tweaks the course, as they do with the U.S. Open, to challenge every aspect of the competitor’s games, we realize that someone has to have great skill, great composure, a bit of luck, and a truck load of determination to prevail in this championship.

Most of the great’s of the game have won this championship-Bobby Jones won it five times, Jerome Travers four times, Tiger Woods three times in a row, and eight guys have won it twice in consecutive years.   The Havemeyer Cup bears the name of famous men connected to the game in so many ways-Charles Blair McDonald, Francis Ouimet, William Fownes, Harvie Ward, Arnold Palmer, Deane Beman, Jack Nicklaus, Nathanial Crosby, Jay Sigel, Scott Verplank, Phil Mickelson,  and Matt Kuchar just to name a few.  The youngest winner was Danny Lee at age 18 in 2008 and the oldest winner was Jack Westland at age 47 in 1952. There have been many winners who are not house hold golf names or even had distinguished pro or amateur careers.  But for one week these men had the best judgement, the most veracity, and probably the hottest putter in the game because it takes all of that and more to prevail marathon test like this.

Maybe equally interesting to the competitors are the venues on which this championship is held.  The U.S.G.A. has always sought to hold it on courses with the history and credentials worthy of testing the best amateurs of their time.  Many of them are famous courses like Pinehurst, Hazeltine, Merion, Olympic Club, Winged Foot, Cherry Hills, and Muirfield Village.  But the U.S.G.A. has also used the event to showcase lesser known gems or new courses like Canterbury, Plainfield C.C., Newport C.C., The Honors Course and Pumpkin Ridge.

In recent years, under the leadership of David Fay and Mike Davis, the U.S.G.A. has gone out of it’s way to identify some creative new venues that are clearly out of the mainstream of American course architecture.  Peter Uihlein beat David Chung in a gripping final in 2010 on Robert Trent Jones Jr.’s Chambers Bay links course on Puget Sound outside of Tacoma, Washington.  They introduced American golf viewership to the fact that brown is the new green.  This course, built in an old gravel mine, features the stark treeless terrain with holes meandering up and down sand hills providing the players with the steepest challenges of controlling where their golf balls sought to wander.  As they are apt to do, the U.S.G.A. used the amateur as a test case for this venue and they were so pleased with what they saw the U.S. Open will be held there in 2015.

2011 featured another pilot project, the championship was contested on a relatively new  Hurzdan/Fry/Whitten track called Erin Hills in southern Wisconsin. For all that has been said about Whistling Straits looking like an authentic Irish links course, this one looks more like Royal County Down than anything I have seen in America.  Mike Davis called it Shinnecock Hills on steriods.  It was built on a piece of ground outside of Milwaukee that was left by a receding glacier about 10,000 years ago with an array of sand and gravel mounding and a topography of such varied amplitude that it just seems like a piece of linksland in the middle of farm country.  The designers moved a minimal amount of dirt to create a course that is viscerally exciting and totally unique for the American golf scene.  As Paul Daley said in his book on Golf Architecture, “The enthusiasm and appreciation of Erin Hills has run from lavish praise to near malicious slander, so some controversy will always be part of it’s heritage”.

The entire course is fescue grass-fairways and roughs-and it can be made to play hard and fast as a result.  The length of the holes on the scorecard mean nothing because the combination of the abrupt topography and firm fairways makes the most difficult challenge picking the right club and predicting the roll out of shots on these fairways and approaches.  It takes a particularly cerebral approach and extraordinary tactical judgement to figure out how to manage your ball and be successful on this course.

Kelly Kraft and Patrick Cantlay playing the final 36 hole match was like watching Chinese water torture on grass.  This is a course where there is no such thing as finding a comfort level-there is a train wreck around every sand dune and many of them are blind shots so you can’t see them coming.  Kraft, the eventual winner, was cruising along 4 up in the match near the end of the first 18 and he took a triple bogey eight on the 18th hole.  Six holes later the match was all square and it was a nail biter the rest of the way.  The match turned on the drivable par 4 15th when Cantlay, the number one ranked amateur in the world, with a one lead after a marvelous birdie on the previous hole, decided to lay up from the tee with an 8 iron-yes an 8 iron.  He misjudged the elevation change and the bounce on the fairway leaving his tee shot up against the six foot face of one nasty fairway bunker from where he did not stand a chance to recover.  He went into bogey-bogey slide from which he never recovered.   The pros will play this place in a medal play format at the 2017 U.S. Open.  If the wind blows that week all bets are off on the winning score.

It is drama like this, man to man on a tormenting battlefield that makes this event so unique and memorable.  Woods coming back from the oblivion to beat Trip Kuehne at TPC Sawgrass, Nathanial Crosby’s emotional overtime win at The Olympic Club, and Jeff Quinney beating James Driscoll in three extra holes the next day at Baltusrol in 2000.  These are the type of scenarios play out almost every year at the U.S. Amateur it is just that the names are changed to protect the innocent.  Winning this event may not lead to fame and fortune but having this trophy on your mantel for a year with all those names on it under yours has to lead to a boat load of big fish stories that will last a life time.

August, 2011

Barclays Storming

What is it with these banks and financial service companies, these days it seems they all have a sky full of black clouds following them around.  So it is this weekend with Hurricane Irene threatening the entire eastern seaboard with a meteorological Blitzkrieg.   PGA Tour officials have wisely decided to shorten to 54 holes the first leg of the post season playoffs, The Barclays Championship (the Barclay’s logo actually has a bit of a Luftwaffe look to it doesn’t it).

Need I remind you that the last time Barclays sponsored a golf tournament, The Barclays Scottish Open in July, Scotland was hit with three months of rain in three hours. It turned the Castle Stuart Links course into the MGM set of Moses crossing the Dead Sea.

With a rain softened course playing like a picnic outing of lawn darts we are seeing scoring in the first two rounds that is off the charts.  Last year’s winner, Matt Kuchar, is already 14-under trying to pull off a two-peat in this event on the Par 71 Donald Ross course at Plainfield Country Club in Edison, N.J.  The tee times for the third and final round are off both sides between 7 am and 8:50 am in an attempt to get the full 18 in and fold up the circus tents before the bad stuff hits.  So if you turn the broadcast on in the afternoon you can expect the “Taped Earlier” overlay in the top left corner of the flat screen.

The interesting thing about this development is that anyone at 8-under or better can shoot a round in the low 60s and have a chance of stealing the first event of the 2011 playoff series.  This includes a whole bunch of familiar faces who have had mediocre seasons so far this year like Dustin Johnson, Vijay Singh, Justin Rose, Padraig Harrington, Aaron Baddeley, William McGirt (Who?), Sergio Garcia, and Camilo Villegas.

For these guys a win here would change everything-it would add about a million-four to their money market account and shove them to the top of the FedEx Kup race.  Not bad for a mediocre season.

What can I say, these PGA guys really understand marketing.  They are like alchemists when it comes to manufacturing TV ratings.

August, 2011

Smelling The Roses

And how beautiful the vacated links at dawn, when the dew gleams untrodden beneath the pendant flags and the long shadows lie quite on the green; when no caddie intrudes upon the still and silent lawns, and you stroll from hole to hole and drink in the beauties of a land to which you know you will be all too blind when the sun mounts high and you toss for the honour!

Arnold Haultain

The Mystery of Golf (1908)

If The Earth Moved On You

We had a little 5.9 denture rattler yesterday in the Washington area and the question was posed that if you happened to be standing over a four footer at the time the earthquake hit and your ball moved would you have to move it back and take the one stroke penalty.

I posit to you how the Brits dealt with “extraordinary circumstances” back in WWII for the answer to this question.

(Click here to see the Golf Rules During the Battle of Britain)

August, 2011

Art In Golf Architecture

It is evident in reading his philosophy of golf architecture that Max Behr might have been one of the early “Minimalist” proponents in his field.  In this piece he wrote in 1927 you can hear a voice that has reached architects like Tom Doak and Ben Crenshaw who are strong proponents of the minimalist approach to course design.  We may not all agree with Behr’s sentiments but he does express an argument worth considering as we try to evaluate the trend toward bigger and bolder artificial design elements over the last century.

The question he poses in this essay is a simple one,  “What, then, is art in golf architecture? What are the values we should seek, and the method we should adopt to arrive at them?”

For the most part Behr believed that the natural elements of the land should be the guiding force in design and that architects should resist the temptation of imposing their will upon what the topography presents just to make a personal statement.

“We forget that the playing of golf should be a delightful expression of freedom. Indeed, the perfect rhythmic coordination of the muscles to swing the club makes the golf stroke an art. And, being such, it is apt to induce an emotional state, under the stress of which human nature is not rational, and resents outspoken criticism. It follows that when the canvas of Nature over which the club-stroke must pass is filled with holes artificially designed to impede the golfer’s progress, these obvious man-made contraptions cause a violation of that sense of liberty he has every right to expect. This accounts for the checkered history of every artificial appearing golf course.”

“He must first feel before he thinks. He must perceive in the ground what might be, not conceive in his mind what must be.”

His criticism is that architects tend to become formula oriented in enforcing their will instead of letting them become an expression of the natural surroundings.  As a result they become complacent in a sense of their omnipotence and what we see is redundant and gaudy instead of a pleasing reflection of nature itself.

Remember he wrote this in 1927, he must be rolling over in his grave looking at the work of some of the high profile architects of the modern era.

He is not saying that the courses need to be simplistic just to respect the natural appearance of the topography, rather Behr would argue that some elements of design being used to make the game easier or more presentable easier are not appropriate either.

“Sand is now being used, not solely for its legitimate purpose as a hazard, but as a species of beacon to guide the player in estimating distance. Thus a crutch is thrown into the landscape upon which the eye of the golfer may lean, and the hazard of indefinite space, calling for intelligence to solve, is to that extent mitigated. And greens are now being purposely tilted toward play, collars and mounds are being placed around them to keep the ball from straying, and enfeebled skill rejoices. Loose from any responsibility to obey geological law, the architect continues to invent devices to coddle the golfer. It is this disregard for the laws of the medium that explains ‘freak’ architecture.”

The goal should be for the architect to strike a proper balance of ego and humility in creating something pleasing to the eye as well as challenging to play.  He can best achieve this by being respectful of natural elements of the land itself.

“It should now be apparent that true architecture can alone spring from observance of the laws accountable for the character of the earth’s surface. The forces of Nature must expend themselves in the design.”

(Click here to read the full article by Max Behr “Art in Golf Architecture”)

Max H. Behr

The American Golfer

August, 1927

The Apostle Tour

After watching a broadcast of what used to be referred to as The Senior Tour I have decided that with the proliferation of guys carrying staffs on the putting green we should almost expect Charlton Heston in sandals to be playing in the final group.  To me this calls for reconsideration of the product name.  The players are certainly weathered and grey enough to play the part.

If you look at the top 25 in any given week on this tour I bet 60% of the guys use something on the green longer that 35 inches or else have one of the many alternative putting grips or both.  The Claw, The Saw, The Split Handed, Cross Handed, or whatever you would call what Bernard does.  Hell, I saw a lefty today with right hand low.  Mind you, I am not saying this is a bad thing, but it certainly is changing the putting standard in the game.

If they ever outlawed these things you would not see Freddie Couples, Bernard Langer, Tom Kite, Mark O’Meara, Calc, Jeff Sluman, Nick Price or many of the other old household names playing anymore.  I think they would be down to Tom Watson and 46 no-names with club professional credentials.

While we are re-inventing this thing, I think the policy on The Apostle Tour is they only play biblical venues like Westchester, Inverness, Newport, Five Farms, Saucon Valley, Bellerive, Canterbury, Harding Park, and Merion.  At the distances these guys hit it these old venues would not suffer from same “technology effect” that has chased the regular tour away from them.  Besides, these are classic stages we associate with guys in their age group.

If last week’s PGA Championship is any indication, this gospel is starting to spread pretty rapidly.

August, 2011

Mr. Bond

(Photo By Everett Collection/Rex Features)

This image of the epic match in the film between Goldfinger (Gert Frobe) and James Bond (Sean Connery) remains stamped from my teenage memory as one of the first mentions of golf in popular media.  Mr. Bond catches Goldfinger cheating at the game and turns the tables of him with a clever use of the rules of golf.

Bond: “You play a Slazenger 1, don’t you?”

Goldfinger: “Yes, why?”

Bond: “This is a Slazenger 7.”

Bond shows Goldfinger his own golf ball.

Bond: “Here’s my Penfold Hearts. You must have played the wrong ball somewhere on the 18th fairway. We are playing strict rules, so I’m afraid you lose the hole and the match.”

It is interesting to learn from Sean Connery’s memoirs that his life-long passion for golf began as a result of this filming.

“I  never had a hankering to play golf, despite growing up in Scotland just down the road from Bruntsfield Links, which is one of the oldest golf courses in the world. It wasn’t until I was taught enough golf to look as though I could outwit the accomplished golfer Gert Frobe in Goldfinger that I got the bug. I began to take lessons on a course near Pinewood film studios and was immediately hooked on the game. Soon it would nearly take over my life. ”

Oliver Brown

August 2008

(www.telegraph.co.uk)

Pinehurst No. 2

Pinehurst is one of the true meccas of golf in America and Donald Ross’s Pinehurst #2 is the signature hood mount for this place.  He stands as one of the most heralded American golf course architects of his time and this course is the one all point to when they try to characterize the style of course design Ross ascribed to.  Having played a number of his courses I can only agree that in this one he seemed to best orchestrate the subtle brilliance he brought to golf course design.  The course is playable, challenging, and thought provoking-what more can you ask for in an afternoon’s walk.

Both men’s and women’s national championship will be contested at #2 in 2014

Embed from Getty Images

The main facility here is also a treasure-take the time to walk the hallways and peruse the memorabilia hanging throughout.  Over the last century there have been countless men’s and women’s championships played on Pinehurst #2-the North/South Amateurs, North/South Opens, PGA Championship, Ryder Cup,  Tour Championship, and the U.S. Amateurs to name a few.  The greatest players in play the game have won here and the plaques in the hallway outside the Donald Ross grill include names like Francis Ouimet, Walter Hagen, Ben Hogan, Sam Snead, Jack Nicklaus, Davis Love III, Curtis Strange, Glenna Collett Vare, Dorothy Campbell Hurd, Louise Suggs, Babe Zaharias, Hollis Stacy and Morgan Pressel.

Payne’s gesture in 1999 has been immortalized in bronze

Embed from Getty Images

The course has recently hosted two men’s U.S. Open’s with great resolve-the iconic victory by Payne Stewart in 1999 and the Michael Campbell’s win in 2005-the winning scores were one under and even par respectively.  Both the men’s and women’s U.S. Open will be played on this course in 2014 in a rare major doubleheader.  In preparation for that event they hired Ben Crenshaw’s design team and have spent considerable dollars bringing back the original Donald Ross character of sand and scrub rough throughout course that had been replaced by thick Bermuda rough for the previous majors.  This reversion gives the course a more signature look and probably plays just as difficult for most of us.

There is no rough to speak of but being out of the fairway is no bargain

Embed from Getty Images

When it comes to the course itself, probably the most distinctive thing I can say is that the course is  really lacks any visual distinction.  Other than the crowned greens that everybody talks about, it is just another pine needle haven in the sandhills of North Carolina.  There are very few holes that visually stand out-in fact, in thinking back over the round, it is often difficult to sort the holes out from one another in your mind.  There is only one water hazard on the course and it is barely in play and very little out of bounds that is close to the playing area.  You are likely to play the entire round with the same ball but it is likely to take plenty it’s share of verbal abuse.

The brilliance of this layout is it’s stunning subtlety.  It never threatens you with overt disaster but rather lulls you into submission like those Sirens whose voices seem so sweet but always lead you to dire consequences you never expected.  If you do not pay attention to every detail-heed every piece of advice in the yardage book or from the caddies knowledge base you will continually pay the price and be dope slapping yourself all the way around this place.

The dogleg left Par 4 5th ends with a signature fall off green complex

Embed from Getty Images

You do get the full measure of the Donald Ross formula here-once he completed the original in 1907 he spent much of the next 50 years tinkering with it so it truly represents his tactical thinking in course architecture.  The driving areas adequate but not overly generous-usually flanked by fairway bunkers you want to avoid or that combination of tall pines and sand and scrub rough.  Positioning off the tee is critical-on almost every hole there is a position from which playing the shot into the green is much easier.  Being macho will get you nowhere out here-being tactical will derive rewards.

All of nature’s elements are in play at the the Par 5 16th

Embed from Getty Images

The green complexes are what really hold people’s attention-raised turtle back greens with falloff shoulders tightly guarded by deep bunkering or grassy hollows below the putting surface.  What makes this so unusual is that the green contours and shouldering really decrease the target area of the green considerably so you approach shots have to be very precise to stay on the putting surface.  If you miss the green, that is when the real fun begins.  One overall suggestion is leave the L-club in the trunk.  Most of your affective plays around the green will be made with lower loft clubs keeping the ball close to the ground.  Be open minded to the shots you hit around the greens because you will be amazed how creative thinking can get you much better results than the obvious one third in the air-two thirds on the ground formula.  It will take a few holes to get used to this approach but by the middle of the round you should get it and you will find your percentages of up and downs improve as a result.  When you get back home and pull off one of these shots in front of friends you can brag that it was just a piece of memorabilia you brought back from Pinehurst #2.

The Par 3 17th has not changed very much….it didn’t need to…

Embed from Getty Images

This is a course that must be walked to be totally appreciated-plus the caddie’s insight will make the course much more playable.  It is well worth the premium to take this one in on the ground.  Once you have played this you may not remember the details of the holes but you will never forget the Pinehurst #2 experience.  Once Donald Ross gets into you head and he never leaves.

Pinehurst, North Carolina

Architect: Donald Ross (1907)

Tees     Par    Yardage    Rating    Slope

Blue      72       6767         73.1       133

White    72      6298          70.9       126

(Click to see complete Pinehurst No. 2 hole-by-hole descriptions)

Pinehurst No. 7

Rees Jones added another classic Carolina through the pines course to the Pinehurst family on one of the most rugged pieces of land on the property.  The course has an almost mountainous feel to it with many holes playing down off the tee to a landing area and up to the green on the approach.    The hilly terrain makes the yardage on the scorecard deceiving since many holes play a club and a half more up to the greens.  At a slope of 140 from 6800 yards it is in my estimation the hardest of the numbered courses here at the Mecca of American golf-just seems like avoiding the high score on individual holes is very difficult.

Number 1 Handicap Hole #2 Par 4 (www.pinehurst.com)

Many huge pines that seem to attract any wayward shot-anything off the fairway seems to find the trees and there are few par saves available from the needles.  Therefore, it is a very exacting driving course-first four holes in particular are very tight.  Knowing the Carolina pine needle shot is very important-use the fairway bunker swing-little leg motion-contact ball before needles.  Driving in play and good putting are integral to a decent score.

Number 7 Par 4 (www.reesjonesinc.com)

The place is not over-bunkered, the trees present plenty of hazard on their own, but the bunkers there are have exotic shapes and sizes designed to visually intimidate.  The greens are large, influenced by grain, rolling, and segmented with lots of slant in them.  There is a big premium for keeping your approach shots below the hole.    Most of the greens are set up on hills or plateaus so you have many high soft shots to stay on the putting surfaces.

Picturesque Finish Par 5 (www.reesjonesinc.com)

Nature note-they have a special breed of fox squirrels here-looks like Zorro and eats anything.  Plenty of playground room for them.

Pinehurst, North Carolina

Architect: Rees Jones (1986)

Tees            Yardage          Rating            Slope

Blue              6819              73.7               140

White           6216               71.6               132

(Click to see complete Pinehurst No. 7 hole-by-hole descriptions)